Tuesday, February 28, 2017

A Close-up of "The Sickness"

“The Sickness,” by Rich Beckermeyer is in the Sac State Library’s Gallery right now. Beckermeyer is a photographer, filmmaker, and writer.
His work in this exhibition consists of very large photos, in the form of Dibold Metal Prints. This is where the ink is infused into the metal, aluminized metal. This makes the prints durable, water-proof, and shiny. Beckermeyer used his grandfather, and his failing health, as his subject. His goal was to engage with the overall conversation of aging, care, and end of life.
Many of his photographs are very close up, and all of them are very large. This gives such an intimacy to the viewer. It’s done in gray-scale. The achromatic nature of the work gives it a little bit of emotional distance, and sets a tone of the past and memories, to the work. And, the shine to these types of metal prints always strike me as really springing them to life. It adds dimension to it, which highlights different aspects of the picture, as you move around.
We can see the small flakes of skin, coming off of the grandfather’s back. The oxygen tubing is blown up so large, and still is not contained inside the frame. The blow-up of a page of the bible is mostly blurry, because the grandfather was losing his sight, but it was still a huge part of his life. Making these items, these moments so large gives them such an emotional weight. You can feel how much these items meant to the artist, and/or his grandfather.
I personally really liked the print titled, “His Caregiver Walking Away From Her Childhood Home.” Nothing seems cleaned up for the shot. The tree branches he included in the shot add to the feeling of age to this home, further highlighted by the gray-scale of the photo. The caregiver looks contemplative, with a touch of sadness. It was one that I kept going back to. I tried imagining what was going through her head. And, it could be a myriad of things, even when only put into the context of the rest of the show.



“The Sickness,” will be at Sacramento State’s Library Gallery until March 18th, 2017

My time at Art Street

As an artist, I tend to feel like flinching when someone goes up and touches another person’s art. Much of the time, art is made to just be observed. But, going to Art Street, and seeing different pieces that were designed to be interacted with, was a change that quite interesting. I had to get over the knee-jerk reaction of “why are you touching things?” That was a difficult feeling to get over. I’ve taken art history classes, where you learn of all the art damaged or lost forever. In the early 19th century, some frescoes from ancient Egypt and ancient Greece were stripped of their original color for aesthetic purposes, aesthetics of that time period. Art being handled, or exposed to camera flashes, etc. can slowly damage art over time. And, the art is someone else’s creation. I would usually feel strange, seeing people touching my work. But, art isn’t only one thing. Art is everywhere. Art is an experience. Art can be anything. DuChamp famously took a pre-made urinal, and signed his name to it. A joke, yes. But, also a statement, anything can be art. And, having art that engages more than one of the senses makes for some pretty interesting experiences. There’s a room with nooks cut out of the walls, lined with pillows to sit on. The nooks have headphones, with meditation style music playing through them. The room has a giant zen garden in the middle, lit up by green and yellow lights softly shimmering across the room. Another piece was made of moss, in a picture frame mounted on the wall, with a sign that says “Please touch me.” One piece, that was particularly popular with children in attendance, was a collage (in pieces) on several turnstiles. Depending on which way each of the turnstile collages were faced, and where you were standing, determined what type of collage you will see. Kids ran through these giant turnstiles, pushing them around and around, like they were playing in rotating doors. Having art that not only engaged your senses, but could be fun, is extremely smart. Kids are having a good time, and being exposed to art. I wasn’t just standing around, talking about the pieces, wondering if I could take a picture. I was standing inside the art, playing with it, feeling it. Everyone was having a good time, kids were going up to the open mic. Adults were closing their eyes, and really listening to the experience. We weren’t just staring, we were climbing inside, and living the experience. I think this kind of art needs to be around us much more than it is. Going to an art gallery, or museum, feels like a chore sometimes. Something to educate us, or our children. But, once you are there, you go out of your way to keep quiet. You’re afraid to take photos of the work. Adults with children are always on alert, making sure the kids aren’t wandering off breaking things. This isn’t a conducive environment to enjoy the art you came to see. And, it’s mostly boring for the children. I remember being dragged to museums. I didn’t want to be there. But, experiences like this make people interested in it, engaged with it more fully. It was a lot of fun.